{"id":59,"date":"2016-01-28T11:49:14","date_gmt":"2016-01-28T11:49:14","guid":{"rendered":"http:\/\/localhost:81\/wp_test\/?page_id=59"},"modified":"2016-01-28T11:49:14","modified_gmt":"2016-01-28T11:49:14","slug":"lieven-baert","status":"publish","type":"page","link":"https:\/\/reed-ne.webspace.durham.ac.uk\/?page_id=59","title":{"rendered":"Lieven Baert"},"content":{"rendered":"

Choreographer and Theatre Director; Director of the Institute for Historical Dance Practice in Ghent, Belgium<\/h2>\n

\"baert\"Lieven Baert is a professional choreographer, dancer, and director. Over his 30-year-long international career, he has worked in Germany, Austria, Spain, Italy, Sweden, the UK and Netherlands, Japan, Mexico, Russia, and the USA. He has collaborated with Philip Pickett, Barbara Sparti, the ensemble L\u2019Eventail Paris, the Bavarian Academy for Early Music, the Royal Opera Ghent, and Warsaw Chamber Opera. He is guest teacher at the Dance Academies of Stockholm and Re Juan Carlos, Madrid. He also works on outreach and youth programmes for the Royal Ballet School of Belgium and the Royal Opera of Flanders. As a producer at historical festivals, he specializes in creative reconstructions of repertoire from the medieval and the early modern period. He regularly directs events at Germany\u2019s largest historical festival, the Landshut Wedding<\/em>.<\/p>\n

<\/div>\n

Honours and Distinctions<\/h3>\n\n\n\n
2000<\/td>\nConseil International de la Danse, UNESCO<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Past Productions and Events<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2010<\/td>\nStanford University, California<\/u>: summer school<\/td>\n<\/tr>\n
2010<\/td>\nFestival of Flanders<\/u>: choreographer and teacher, Venetian Ball<\/em><\/td>\n<\/tr>\n
2009<\/td>\nLandshut, Germany<\/u>: choreographer at the Landshuter Hochzeit<\/em><\/td>\n<\/tr>\n
2009<\/td>\nBruges<\/u>: choreographer, Hieronymus Bosch and the Seven Deadly Sins<\/em>, with Camera Trajectina<\/td>\n<\/tr>\n
2009<\/td>\nFestival de Namur<\/u>: choreographer, Ay Amor<\/em>, with la Cetra d\u2019Orfeo<\/td>\n<\/tr>\n
2008<\/td>\nFestival of Krems, Austria<\/u>: choreographer, La Folia<\/em><\/td>\n<\/tr>\n
2007<\/td>\nBrussels Operetta Theatre<\/u>: director, Der Bettelstudent<\/em><\/td>\n<\/tr>\n
2006<\/td>\nLandshut, Germany<\/u>: choreographer at the Landshuter Hochzeit<\/em><\/td>\n<\/tr>\n
2005<\/td>\nMexico City<\/u>: choreographer, Proclamaci\u00f3n de Isabel la Cat\u00f3lica<\/em>, with Manuel Canseco (dir.), Teatro Nacional de Madrid, and Mexican State Ballet<\/td>\n<\/tr>\n
2004<\/td>\nMadrid<\/u>: choreographer, Teatro Cl\u00e1sico, Don Gil de las calzas verdes<\/em><\/td>\n<\/tr>\n
2000<\/td>\nRoyal Opera, Ghent<\/u>: choreographer, Charles V<\/em><\/td>\n<\/tr>\n
2000<\/td>\nGhent<\/u>: Director, 1st<\/sup> World Congress Historical Dance<\/em>, with Unesco and University of Ghent<\/td>\n<\/tr>\n
1998<\/td>\nTokyo<\/u>: director and choreographer, Danza Vosolvia<\/em>, 16th<\/sup>-century repertoire<\/td>\n<\/tr>\n
1996<\/td>\nH\u00e4ndel Festival Halle, Germany<\/u>: dancer in Marie Sall\u00e9 and H\u00e4ndel<\/em><\/td>\n<\/tr>\n
1993<\/td>\nWarsaw Chamber Opera<\/u>: director and choreographer of Monteverdi\u2019s Ballo delle ingrate<\/em> and Combattimento di Tancredi e Clorinda<\/em><\/td>\n<\/tr>\n
1993<\/td>\nQueen Elizabeth Hall, London<\/u>: dancer in Philip Pickett\u2019s production of Monteverdi\u2019s Tirsi e Clori<\/em><\/td>\n<\/tr>\n
1987<\/td>\nRoyal Library, Brussels<\/u>: lectures on Burgundian court dances<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Choreographer and Theatre Director; Director of the Institute for Historical Dance Practice in Ghent, Belgium Lieven Baert is a professional choreographer, dancer, and director. Over his 30-year-long international career, he has worked in Germany, Austria, Spain, Italy, Sweden, the UK and Netherlands, Japan, Mexico, Russia, and the USA. He has collaborated with Philip Pickett, Barbara […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":721,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-fullwidth.php","meta":{"footnotes":""},"class_list":["post-59","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P67HiV-X","jetpack_likes_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/reed-ne.webspace.durham.ac.uk\/index.php?rest_route=\/wp\/v2\/pages\/59","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reed-ne.webspace.durham.ac.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reed-ne.webspace.durham.ac.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reed-ne.webspace.durham.ac.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/reed-ne.webspace.durham.ac.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=59"}],"version-history":[{"count":0,"href":"https:\/\/reed-ne.webspace.durham.ac.uk\/index.php?rest_route=\/wp\/v2\/pages\/59\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/reed-ne.webspace.durham.ac.uk\/index.php?rest_route=\/wp\/v2\/pages\/721"}],"wp:attachment":[{"href":"https:\/\/reed-ne.webspace.durham.ac.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=59"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}